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・ Sings His Own
・ Sings in Italian for You
・ Sings Kristofferson
・ Sings Like Hell
・ Sings Man on the Silver Mountain and 8 Other Songs
・ Sings Marty Robbins
・ Sings Precious Memories
・ Sings Reign Rebuilder
・ Sings Salvadore Poe
・ Sings Spirituals
・ Sings Standards
・ Sings the Ballads of the True West
・ Sings the Best of Jimmy Webb 1967–1992
・ Sings the Blues
・ Sings the Country Music Hall of Fame Hits, Vol. 1
Sings the Country Music Hall of Fame Hits, Vol. 2
・ Sings The Moon
・ Sings the Movies
・ Sings the Music of Bacharach & Kaempfert
・ Sings the Songs of Andrew Lloyd Webber
・ Sings the Songs of Dallas Frazier
・ Sings the Songs of Robert Burns
・ Sings the Songs That Made Him Famous
・ Sings with the BC Goodpasture Christian School
・ Singsaas Lutheran Church
・ Singsaker
・ Singsaker Line
・ Singsamut School
・ Singshot
・ SingShot Media


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Sings the Country Music Hall of Fame Hits, Vol. 2 : ウィキペディア英語版
Sings the Country Music Hall of Fame Hits, Vol. 2

''Sings the Country Music Hall of Fame Hits, Vol. 2'' is an album by Jerry Lee Lewis released on Smash Records in 1969.
==Background==
The album concludes producer Jerry Kennedy's concept of having Lewis record standards from the country music genre, further cementing his new reputation as a country music artist. Since his comeback single "Another Place, Another Time" in 1968, Lewis had enjoyed a successful commercial run with four top five country hits, and this streak continued when the Eddie Dean song "One Has My Name (The Other Has My Heart)" was released as a single and climbed to number three. Like ''Vol. 1'', its sequel features covers of classic country songs by the likes of Hank Williams, Don Gibson, and Jim Reeves, as well as a duet with Jerry Lee's sister Linda Gail Lewis. It was not quite as successful as its predecessor, peaking at number five on the ''Billboard country albums chart. The decision to record two albums worth of older country hits in a two day session had more to do with Lewis fulfilling his contractual obligations for 1969 (three albums) rather than being necessitated by a lack of new material. Indeed, as Colin Escott points out in the liner notes to the retrospective ''The Killer: The Smash/Mercury Years'', "Every music publisher in Music City was trying to get the ear of Jerry Lee Lewis and Jerry Kennedy." In his 2009 biography, ''Jerry Lee Lewis: Lost and Found'', Joe Bonomo laments that "the swift recordings of made-to-order arrangements didn't allow Jerry Lee much of an opportunity for nuance."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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